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Tunisian Crochet Books for Research

At first glance, the materials I use when researching Tunisian crochet (a.k.a. afghan crochet, & including double-ended types) seem the same as for other crochet topics. Besides Tunisian crochet books and online sources that I find by Googling and searching Ravelry, I use sections of other books, notable designs, and antique sources. (Click on on of the thumbnail photos to enlarge.)

Tunisian Crochet Books are Keepers!

Over the years I’ve noticed distinctive differences in the information I can depend on for Tunisian crochet research, compared to other kinds of crochet. The most intensive research I do is for classes, but I also need to for some newsletter topics and when I’m writing a pattern for an unusual design.

100% Tunisian crochet books are special and really pretty rare. Many of them are slim, booklet-like volumes. They tend to be hard to find and to get. Some go out of print quickly, are self-published, or are only in Japanese, for example. I treasure each one. That first book stack you see is my go-to stack.

I’ve found a lot of useful information buried in general books about crochet.”TC” (Tunisian crochet) has long been presented in crochet books as a specialization. This means the TC topic sometimes gets its own thick chapter, and that’s a beautiful thing. Other times, the chapter or section is lean, but can make an important contribution somehow. It may have fresh and original material, or offer well designed instructions, stitch symbols, and other valuable publishing standards.

From my TC perspective, it makes a big, big difference when the book’s production staff, especially the technical editors and illustrators, also understand TC (not just regular crochet). It also matters what is used as a standard, because basic Tunisian crochet publishing standards are still being forged.

The book stack in the second photo shows general crochet books I own that contain TC sections I refer to often. Missing from the photo is A Treasury of Crochet Patterns by Liz Blackwell.

I’ve been thinking about this post topic ever since I did one about the very different kind of book stack I devoured for the Stitch Games class topic. (That stack was mostly written about yarn by and for knitters.) I’m also considering a post about what it has been like to unearth and use every resource I could for classes on love knots (Solomon’s knots) and star stitches over the years.

 

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Steeking Crochet Newsletter Overflow

Regular treble crochet stitches, front post Tunisian stitches, and an extended Tunisian stitch pattern.
These three images didn’t make it into the newsletter I sent out yesterday on steeking crochet.

Not sure if it’s obvious in the middle photo: I removed two stitches in the forward pass. It freed up the return pass AND the stitches above them in the next row. This is because I crocheted these stitches around the post of the stitches, not into a base (i.e. into any return pass loops).

Without a lifeline, these post stitches just dissolve into messy loops. It’s not as bad as Tks or Tfs (as mentioned in the newsletter). The unraveling is contained.

My friend arrived last night from Kentucky! So glad I got the newsletter sent off. I hope you enjoyed my exploration of steeking crochet. My next critical conference prep task is to complete my last class handout (Starwirbel Way). After that milestone, I’ll add corrections to all handouts as I receive them from my editor, and direct my mental energies toward writing patterns.

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Two-Color Tunisian Crochet Swatches

One Color or Two?

Want to see some stitch patterns change when the yarn color changes?

The two-color Tunisian crochet swatches are for my class handout (yes, still working on them!). I needed to clearly distinguish the forward row from the return row, so I color-coded them. I didn’t expect to like them so much! The one-yarn versions are below their two-color swatches.

Extended Tunisian stitch patterns in 2-color swatches compared with a one-yarn (softly variegated) version
Top row: two-color swatches. Bottom row: their one-yarn versions.

(Note that the one on the bottom left is a slightly different stitch pattern from the one above it. I was thinking they were the same until after I created this graphic and I don’t have a better substitute. The difference is, in the top left photo, there is an extra chain stitch in the red return row after every blue stitch. That spaces the blue stitches apart more than the stitches are in the one below it.)

Isn’t it fun to see how just alternating colors in a simple stitch pattern can give it a fresh look?

Sometimes a swatch needs to convey more than words when space is a premium (such as in a class handout). Color-coding really helps.

Progress Update

on my crochet conference readiness: only ONE class handout left to send to the tech editor! That’s FOUR down, one to go. My goal is the end of this week. Then you’ll start seeing blog posts of other topics like new Lotus yarn colors, or Charleston.

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Simple Tunisian Lace Nets: Day 2 of 50

Tunisian extended stitches (Tes) crocheted into each row four different ways (Tefs, Teeks, front post etc)
Four of many simple ways to vary a Tunisian net lace.

Class Handout Progress: Steeking Tunisian Lace

The graphic above completes a section of the Steeking Tunisian Lace class handout. The base stitch is Tunisian Extended Stitch, or Tes. This chameleon-like stitch has other names and many variations (discussed in newsletter #49). It’s versatile, slightly odd, and one of my favorites, so I’m delighted to teach this class topic for the CGOA conference.

These four swatches contrast some of the simplest variations of this Tunisian lace net.

“Teeks” stands for Tunisian knit stitch extended twice. Easier to say than Tkse².

I’m also creating a graphic of fancier variations of these nets for comparison (and inspiration!). Have a look at this ripple variation! And I love these two-color versions.

I plan to pin them to my Pinterest boards like when I swatched and pinned a slew of star stitch variations a few years ago.

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National Crochet Month Specials

Sister filet scarves: Antoinette Sparklescarf, Emdash, and Cantina Party Flounces

Welcome, Natcromo Blog Tour Visitors!

In honor of (Inter-)National Crochet Month, I’ve added a lacy spring scarf pattern to my Ravelry shop: the double-flounced Emdash Scarf. It’s free for one week.

I thought I’d show you Emdash’s crochet story in pictures. National Crochet Month is for crochet stories, right? Especially about lacy spring scarves. First, the design sketches:

Emdash has two design sisters.

There they are all together at the top of this post. It’s easier to show some alternate views of them this way.  Antoinette is the eldest (I published her popular pattern in Nov. 2011). She loves lace weight metallic mohair with sequins and other holiday party yarns. Cantina is the youngest, even though her pattern was published before Emdash’s (in Dec. 2015). Cantina is a freewheeling hippie girl who likes color parties, scrap yarns, and beads.

How did Emdash get her name?

While I was exploring special characters on my keyboard, I kept seeing the scarf draped on my mannequin. The columns of tall stitches are grouped with vertical spacers. (I like the slightly different crocheting rhythm of it.) They started reminding me of emdashes, yes—a type of punctuation. It shortens so nicely to “Emmy.”

The last part of her design story is that I learned how to format and print out kit patterns with the Emdash Scarf, for the show booth I had last summer. This means Emdash is also available as a printed pattern while they last.

Happy National Crochet Month!