Posted on Leave a comment

New Angle on Diagonal Tunisian

A diagonal corner of the Four Peaks scarf.

I put off writing about the Tunisian on the Diagonal class because I kept feeling like I had nothing to say, but also too much! Here’s another paradox: I feel like I’ve been teaching this class since 2010 and yet I never have, exactly. How can all of this be true?

I figured it out after writing the section about its 2009 roots below. Crocheting Tunisian diagonally is a huge topic based upon simple and powerful principles. Vary one thing a little, factor in some momentum, and everything ends up dramatically different.

I’ve taught big sections of this. The 2018 class will be the master class. (It’s great for all skill levels, thanks to the “simple principles” part I just mentioned.)

For contrast, travel back to 2009 with me for a bit.

2009 Tunisian Increase Methods

Nine years ago my first diagonal crochet design happened: the Five Peaks Shawl prototype. (The pattern was published in 2010 in Interweave Crochet Magazine).

Left triangular swatch is starting to curl along one edge. Other triangle is symmetrical with nice drape.
Effect of the “squeeze-it-in” method shows in the left swatch. Not recommended for a shawl.

 There was almost nothing on diagonal Tunisian crochet from corner to corner, or “C2C”. With C2C you increase steadily along both row ends to widen, then decrease steadily until you end at the opposite corner.

The default increase method back then didn’t have a symmetrical, polished drape. I blogged about it (and the photo at right) in June 2009 because that’s when I was working out the increase method for the Five Peaks Shawl.

2009 Tunisian Hook Choices

Tunisian crochet hooks larger than size 6.0 mm (J) were scarce in any style and length, whether straight, flexible, double-ended, short, or long. When you found one, you put up with whatever its material, surface finish, and hook shape was. Remember that?

My options were either a long straight 6.5 mm (K) or a discontinued 9 mm (“M/N”) flexible hook from eBay. I needed a size between these two. Too bad!

Back then, publishers needed designers to use crochet hooks that were commonly available in stores. I worried that I wouldn’t be able to sell the Five Peaks pattern to a magazine. Fortunately, Tunisian hook choices were improving. Only three months later I blogged “Heaven is a Crochet Hook for Every Need”. Nowadays I keep a range of Tunisian hook sizes and lengths.

The Evolving Tunisian Crocheter

We Tunisian crocheters have been enjoying a renaissance for our craft! It had barely started in 2009. Back then, most crocheters still assumed the nature of Tunisian crochet was to be thick, kind of stiff, and with a stubborn curl. Not something that could cascade and swing from the shoulders like a waterfall, or look like a lacy weightless veil.

Each time I’ve taught a Tunisian crochet class since 2010, the students bring more skills and experience to the room. Newer Tunisian crocheters understand things faster. This became really noticeable around 2013. 

Five Peaks classes were the first I taught on diagonal Tunisian crochet. It was ahead of its time in 2009. Since then I’ve learned to start every Tunisian topic with a quick review of the relevant basics. People of all skill levels seem to welcome this. It seems to pull together and standardize the new things everyone is learning from different designers. 

For 2018 I’m excited to be starting out with a review of a different set of basics because when we crochet Tunisian on the diagonal, there are clues we can be looking for but may not recognize for awhile. Things may look wrong for awhile and yet be so, so right. 

Posted on 4 Comments

Mamruana CAL “Wrap Up”

Sleeve cuff test for the Mamruana in progress.
Mamruana (unfinished): sleeve cuff test.

I put “Wrap Up” in quotes because this is a soft ending to a crochet along, not a hard one. In fact I remain inspired by some discoveries I made about it along the way. Plus, I can’t resist a pun.

It’s easy to imagine revisiting this CAL with a springtime project with CAL participants who also intend to start or resume their Mamruanas later.

Mamruana Evaluation Day

I’m going to do a behind-the-scenes evaluation of it as a crocheter of it (the process), wearer (the product), yarn provider (yarn brand choice), designer (art and craft of it), and pattern writer (is it patternable?).

Wearing the Ruana

Mine is in fall colors and I’ll be wearing it to parties here in Florida through the winter. It’s bigger and heavier on me than I expected, but not too much. It means I made a size Large to X-Large instead of a Small to Medium.

I will love dancing in it. It drapes beautifully and the colored diamonds flicker as it moves, vaguely like confetti.

As a Crochet Project

I really enjoyed crocheting it for three reasons:

  1. The half double stitches (hdc) are crocheted into spaces, not stitch loops (helps the crocheting pace). See the stitch close up below.
  2. The rhythm of color changes kept me looking forward to the next strip, with no color juggling or managing ends.
  3. Constructing this in MAM (“mile-a-minute”) strips gave me a satisfying feeling of completion and progress.

As a Design Idea

Mamruana crochet strips in other wearable shapes and striping.
Mamruana crochet strips in some other wearable shapes. Compare how the color stripes drape with first photo of the ruana.

Several inspiring discoveries here for the designer in me!

I love that you’re just crocheting little square patches in simple rows—so elementary—but they end up being diamonds on the bias. Changing the color of each strip adds a big visual effect to the drape. A ruana shape magnifies the effect because the sleeve sections also drape on the body at an angle.

Not only is a patch reversible, it’s rotatable! This excites me because it means a series of patches could be linked up while going in different directions and still look coolly consistent. Freeform-bitmappy, chic, powerfully versatile design-wise. A gazillion options are possible for other wearable shapes and kinds of projects. It’s like each patch is a fashionable “bit” for infinite design “pixels”.

Put a Cuff on It

I’m unreasonably inspired by putting sleeve cuffs on a ruana. I like how it feels to wear it, how it updates the look, and how easy it is to do. It’s a trendy effect I’ve wanted to explore since seeing it so much in Pinterest.

The Yarn Choice

Speaking as both a designer and a yarn provider, I’m very pleased with how the design and yarn go together. (I never really know if that will be the case.) YES I always want to have new crochet patterns for DesigningVashti Lotus yarn, and to show off new colors of it. For example, the new Orange Luxe color inspired the Mamruana.

Yarn-me will ask designer-me to tinker with the final pattern because it needn’t use quite this much yarn—approx. 525 grams or 1350 yds.

As a designer I always need a good design reason for choosing one yarn over another. So, of course I fantasize about other yarns too. Besides the sport weight (CYC #2) Lotus, I think thinner yarns (lace wt./CYC #0 and fingering/CYC #1) would be wonderful; I swatched some for the CAL. I keep picturing a wool or alpaca blend as a generous cowl, for example. What about fine crochet thread for a scarf, panels of a skirt, etc. Beads?!

My takeaways from using Lotus for this Mamruana:

  • Its sheen combined with its drape is key to the whole effect! (That “I want to wear it to holiday parties and dance in it” effect.) Check out the stitch close up at right.
  • For Lotus designs I tend to vacillate between using a G-6 and G-7 (4mm, 4.5mm) crochet hook size. I used a G-7 for Mamruana. For larger sizes at least, I’m thinking it should be a G-6. Probably not an F-5 (3.75m) but I’ll investigate.
  • The color range of Lotus is a significant element in its “just one more strip!” crocheting fun and visual impact. I’d need an inspiring color range in any yarn I use for this.

Mamruana as a Downloadable Pattern?

I’ve learned that you never know what it will be like to write up a design until you’re in too deep, but I’m not worried about this one. No red flags. Nothing that would require a video to be understandable. Unlike, say, a Bosnian color-pooled moebius.

It’s so Plus-sizable. Good Plus Size patterns are another thing I always want more of in my shop.

A nice thing about this CAL is that I wrote up the main pattern in sections and created visual aids as we went.