This blog post is third in a short series about the development of a new Tunisian crochet pattern pdf.
I did two kinds of yarn tests for my new Tunisian crochet filet scarf (first blogged here).
1. I needed a good yarn for photo tutorial close ups. I’ve learned that I have the best luck with a single ply yarn. More than one ply could add a possibly distracting texture. I love the look and colors of the purple yarn in the first photo, but its plies worried me.
A thicker yarn is better for close ups than a skinny one so that their individual fibers don’t show up too much! See the two close ups in the second row.
A yarn’s colors also matter for Tunisian crochet filet close ups. Strong contrasting color shifts are distracting, but subtle color shifts can be a real plus.
Soft tonal dyeing makes a stitch or row easier for someone to distinguish right away. It’s easier for my camera too. One solid light color is great for in-person classes, but not always for extreme close ups. Sometimes my camera thinks the stitches are just fuzzy blobs no matter what I do. (Maybe it’s user error, shhhh.)
2. Wool. I fell in love with my first Tunisian crochet filet design in wool. That would be…Warm Aeroette! (Hence the “warm” part.) Until Aeroette I’d only had Tunisian crochet filet thoughts in bamboo (Ennis), silk (Aero), and cotton (dishcloth test in my Lotus yarn). Traditional filet lace has mostly been a cotton thread kind of crochet project. Maybe that’s why I didn’t reach for the wool.
I needed to know if I loved Aeroette because the yarn I used is not a thick wooly wool. It’s a fingering weight fine-micron merino wool. Fine-micron merino has an almost silky drape. The thinner fingering weight (like a sock yarn) gives the stitches a fine-grained texture. In a thick wool like the Mochi Plus (blue photo above), the filet-style lacy eyelets could look clunky or lumpy as a scarf. Would be a lovely afghan border though.